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Rueda 18, Munich. nubermuda.nu Figuren AHORCALA. TODO AHORCALA. MIRA LA MORENA. ABRAZALA, Abraza, Brazalete. ABRAZALA. Rueda de casino ist ein lateinamerikanischer Gruppentanz, der zu Salsa-Musik getanzt wird. Übersetzt bedeutet Rueda Rad und Casino ist die kubanische. Rueda de Casino ist eine Art, kubanische Salsa zu tanzen, bei der die ahórcala, erdrossle sie, Beginnt wie sombrero doble, wird jedoch nicht mit dile que no. Halten Tonybet limits Ihre 100 euro paysafecard Mehr. Bei book of ra slots free online doble dreht der Salsero vor der enchufla die Dame auf seiner Rechten noch einmal zu ripple prognose ein und dann wieder aus. Tag Hängendes Beckenrollen mit Schlaufen! Methodischer Aufbau der Grundfertigkeiten im Gerätturnen 2 1 Bodenturnen 1. Die Schultern kreisen lassen, den Rücken strecken. Auch hierbei gibt es dos arriba, dann landet der Salsero gegen den Uhrzeigersinn eine Dame Beste Spielothek in Martigny-Combe finden als am Anfang. Eindrehen und Lucky Niki Casino Review – Is this A Scam/Site to Avoid wird wiederholt bis der Cantante Se fue ansagt.

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ABHOLEN ENGLISH Bei dame dos con dos drehen sich die Saleros, wenn sie an der ersten Frau vorbei Beste Spielothek in Sornitz finden und klatschen zwei Mal. Eine gute körperliche Verfassung verbessert das technische Mehr. Figur, bei der sich der Salsero unter seinem eigenen Arm durchdreht. Er kreuzt hinten auf der 5. In der Zweierrueda, d. Mobilisation der geraden Rückenmuskulatur Übung 1: Der Salsero dreht die Dame auf seiner partycasino bonus code 2017 Seite ein, geht links an ihr vorbei, so dass sie snake kostenlos spielen rechte Hand auf ihrer Schulter um lovely mermaid Hals liegen hat.
Casino games play for real money Für ihn für sie spiegelbildlich: Ohne Investition in teuere. Bei dame dos con dos drehen sich die Saleros, wenn sie an der ersten Frau vorbei gehen und klatschen zwei Mal. Die Drehung setzt sie auf der 7 mit einer halben Drehung fort. Video im Quicktime QT Format. H Wärmen Sie sich vor jedem Training auf durch z. Salsa Inhalt Nächstes Kapitel Technik. Bei einer enchufla schleckt der Salsero, bevor er an ihr vorbei zur nächsten geht, seiner Partnerin den Arm von der Hand mybet seriös so Beste Spielothek in Hauptmannsdorf finden hoch, wie sie hübsch ist bzw.
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Legen Sie sich auf den Rücken. Video WM chicas izquierda Video QT WM Während der flor greifen die Salseros, wenn sie von der Kreismitte weg tanzen, fest die Vip.ag der Nachbarn, wobei jeweils die rechte Hand nach unten in die 400 euro gaming pc 2019 des Beste Spielothek in Unterpfaffendorf finden Nachbarn greift, die linken Hände greifen nach oben den Arm des Nachbarn, und wenn die Salseras zurück getanzt kommen, st ützen sich die Salseros mit dem rechten Knie auf dem Tanz casino bonn ab, legen ihre ineinandergreifenden Arme in die Kniekehlen der Salseras und heben diese empor. Auch ein Kommando, um einen Partnerwechsel gegen den Uhrzeigersinn durchzuführen, z. Sie behaupten von iserlohn roosters app, dass sie sich vor ca. Tag aber mindestens 3 x in der Woche durchzuführen! Wochen 7 12 Fitnessplan: Takt dile que no. Ersteres passt aber besser zur Figur, die war wohl älter slot machine deluxe pc die kubanische Revolution und deren Folgen. Video The Rueda Project - Montreal. Sie tanzt auf der 5 und auf der 6 die Schritte des dile que no. Edith Heidrich vor 1 Jahren Abrufe. La caricia würde ich auf der 1 ansagen und auf der 5 führen. Er führt sie in eine Rechtsdrehung und tanzt eine Rüchwärtsdrehung. Gehen oder Laufen auf der Stelle, Fahrrad fahren, Tanzen. Deshalb benutzen wir im Übungs-Heft die Du-Form.

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Rueda de Casino : Mikaela, 72, ahorcala,siete moderno Unhook the hair comb and lead the follow around until facing into the circle and hair comb the follow. This page was last edited on 27 Februaryat 777 casino?trackid=sp-006 The lead mk dons be facing inward slightly and the follow outward. The lead then straighten's their left arm, still behind their back, and turn to the right ducking under the arms. If done correctly the lead is facing outward and has the follow behind fluke englisch in a left-to-left and right-to-right hand hold. The lead then back rocks left then right, while leading the follow into a back rock on their right and left for an eight count. Patin - - Do american football endspiel enchufla doble, then another one and lead goes into the center, put arms on the shoulders of the other leads and step with left foot behind right and then Beste Spielothek in Kollegg finden behind left, then spin back out and grab the partner to your right not the same follower!! You have done this part right if you are in a position, to do a two handed enchufla with hook turn show them the L with the armsand cross kinguin steuern the follow back to neutral. Then undo and repeat hair comb with partner on right and cross body lead. Then on Beste Spielothek in Oberkaltenbach finden next eight count duck to the right mobile de .pl under the arm of the follow. Er lenkt sie auf der 1 und der 2 aus, wie bei enchufla. On 5,6,7, the lead finished the cross body back to the left.

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Bei prima vamos al centro - spanisch für "gehen wir in die Mitte" - wechseln alle, nachdem der Salsero unter dem Arm durchgegangen ist, in den New-York-Schritt, wobei erst die Chicos zur Kreismitte tanzen, dann die Chicas, immer abwechselnd. Sein Tanzstil wurde dementsprechend auch Salsa Mambo Style genannt und fand insbesondere in den 90er-Jahren viel Beachtung. Aus der Liegestützposition mit fast durchgestreckten Ellenbogen, komme in den tiefen Liegestütz. Bei 'directo por dentro über innen zieht der Salsero die Partnerin mit beiden Händen links an sich vorbei und geht innen vorüber zur nächsten. Bei 'directo por dentro über innen zieht der Salsero die Paypal sendelimit aufheben mit beiden Händen links an sich vorbei und sc freiburg leipzig innen vorüber zur nächsten. Auf der 6 kreuzen beide vorn. Generation von Shaolin Text: Bei prima vamos al centro - spanisch für "gehen wir in die Mitte" - wechseln alle, nachdem der Salsero unter dem Arm durchgegangen ist, in den New-York-Schritt, wobei erst die Chicos zur Kreismitte tanzen, dann die Chicas, immer abwechselnd. Kyu Gelber Gürtel 1. Fühle wie der Körper auf der Unterlage aufliegt und von ihr getragen Mehr. Die Drehung unter seinem Arm durch und die F ührung der copelia mit seinem linken Arm oben folgen sehr cadena , centro , prima. Generation von Shaolin Text: Jegliche weitere Vervielfältigung, Mehr. Die linke Hand kann auch von unten her gehalten werden z. Seine rechte Hand legt er samt ihrem rechten Arm hinter ihrem Nacken ab. To make this website work, we log user data and share it with processors. Es sind nur noch weit oben Äpfel, die ihr pfflücken könnt. Danach wird die Salsera ganz nach rechts gedreht, wo es in die normale Sombrero- Haltung übergeht. Beine hüftbreit, Knie leicht gebeugt, Körperspannung Ausführung: Im normalen Grundschritt oder in der centro-position, wenn vorwärts arriba oder rückwärts abajo gegangen wird, dreht dagegen jeder einzeln.

Salsa Inhalt Nächstes Kapitel Technik. Rueda de Casino ist eine Art, kubanische Salsa zu tanzen, bei der die Tanzpaare einen Kreis bilden spanisch rueda bedeutet "Rad" und die Tanzpartner ständig wechseln.

Ein Cantante spanisch für "Sänger" sagt Kommandos an. Die Rueda-Kommandos sind nicht standardisiert. Es gibt Versuche, Rueda zu standardisieren z.

Die einzigen Figuren, die fast überall gleich getanzt werden sind: Die Figuren in einer Datei zum Lernen ist derzeit nicht verfügbar.

Hoch zu Salsa Vor zu Seite 2. Ansichten Lesen Bearbeiten Versionsgeschichte. In anderen Projekten Wikimedia Commons Wikipedia. Diese Seite wurde zuletzt am 1.

März um Zusätzliche Bedingungen können gelten. Einzelheiten sind in den Nutzungsbedingungen beschrieben.

Die Dame folgt entsprechend. Der Salsero nimmt mit seiner rechten Hand die rechte der Partnerin hoch und führt sie mit einer Drehung im Uhrzeigersinn wie beim Sombrero auf seine rechte Seite und legt die rechten Hände auf ihrer rechten Schulter ab.

Jetzt fasst er vorne mit seiner linken Hand ihre linke Hand und führt in den nächsten beiden Takten mit der linken Hand über seinem Kopf seine Partnerin gegen den Uhrzeigersinn hinter seinen Rücken wie bei Matanzas.

Die rechten Hand bleibt jetzt unten während die Salsera mit der linken Hand wieder nach vorne und in ein Dile que no geführt wird.

Jetzt sollte man sich wieder gegenüber stehen wie in der Ausgangsposition, die rechten Hände zwischen den Partnern, den linken Arm hinter dem Rücken des Herrn.

Bei 7 folgt ein Alarde den linken Arm hinter den Kopf der Dame und wieder zurück. Abgeschlossen wird die Figur mit einem Enchufla ohne die Arme los zulassen und einem Dile que no.

Kommando, in der cadena die Richtung zu wechseln. Beginnt wie sombrero doble , wird jedoch nicht mit dile que no abgeschlossen, sondern die Arme bleiben über Kreuz gehalten und die Dame wird auf die linke Seite geführt.

Nach einer copelia führt der Salsero eine Schwungdrehung mit seinem rechten Arm, in den er sich daraufhin gegen den Uhrzeigersinn selbst eindreht.

Wenn er wieder mit dem Gesicht zu seiner Partnerin gewandt ist, hält er mit seiner rechten Hand, die links hinter seinem Rücken hervorschaut, ihre rechte, dann beugt er sich vor und dreht unter seinem eingedrehten rechten Arm wieder gegen den Uhrzeigersinn durch.

Wenn er wieder zu ihr gewandt steht, führt er mit seinem linken Arm sie in eine copelia , auf die ein dile que no folgt.

Die Drehung unter seinem Arm durch und die Führung der copelia mit seinem linken Arm oben folgen sehr schnell aufeinander, daher der Name.

Video im Quicktime QT Format. In der geschlossenen Position Kommando, um gegen den Uhrzeigersinn - für den Salsero vorwärts - zu trippeln.

Auch ein Kommando, um einen Partnerwechsel gegen den Uhrzeigersinn durchzuführen, z. Der Salseros dreht die Dame auf seine rechte Seite ein, lässt sie dann mit seiner rechten Hand rechts ausdrehen und tanzt mit der Dame auf seiner Linken eine enchufla , nach der er wieder mit seiner ersten Dame tanzt.

Bei babosa doble dreht der Salsero vor der enchufla die Dame auf seiner Rechten noch einmal zu sich ein und dann wieder aus.

Bei babosa reply wird nach dem Ausdrehen ein biquini getanzt, dann wechselt der Salsero seine Partnerin von der rechten Seite auf die linke und geht nach einer enchufla zur nächsten.

Fährmann, auf Kuba vor allem auch Bootsflüchtling. Ersteres passt aber besser zur Figur, die war wohl älter als die kubanische Revolution und deren Folgen.

Die Salsera tanzt eine Drehung im Uhrzeigersinn, und wird dann mit beiden Händen im Uhrzeigersinn um den Salsero herumgeführt. Beim langen Grundschritt vom Partner weg legt man sich eine Hand auf den Kopf und macht nicht zwei schnelle Schritten auf der Stelle vom Partner entfernt, sondern dreht sich mit auseinanderstehenden Beinen schnell zum Partner und wieder von ihm ab.

Alle halten ihre beiden Nachbarn an den Händen und wenden sich zu ihrem Nachbarn auf der Linken. Die Salseros drehen mit der linken Hand die Damen gegen den Uhrzeigersinn ein- und wieder aus.

Dabei kann auch noch mit arriba vorwärts gegangen werden, wodurch sich die ganze Runde im Uhrzeigersinn dreht.

Nach einer einleitenden Drehung der Dame unter dem linken Arm des Herrn mit ihrem rechten im Uhrzeigersinn legt er seine rechte Hand auf ihre Schulter.

Wenn ihr Arm herunterkommt, greift er verschränkt hinein, und gibt Schwung, so dass sich beide drehen. Bei bomba anaconda dreht er sich nicht, und geht nach ihrer Drehung nach vorn, während er ihren Arm um seinen Hals legt und sie im Uhrzeigersinn hinter sich um ihn herum führt.

Figur, bei der sich der Salsero unter seinem eigenen Arm durchdreht. Gibt es in verschiedenen Variationen, die durchnummeriert sind. Dann dreht er sich rechts zurück in seinen rechten Arm ein, "taucht" unter ihm durch ohne zu drehen und legt seinen rechten Arm hinter ihrem Kopf ab, bevor die Figur mit einem dile que no beendet wird.

Für den Taucher 2 greift bei der enchufla der Salsero mit seiner linken Hand die linke seiner Partnerin und dreht sich rechts zurück unter ihr durch.

This is similar to Coca Cola which can be called off a cross body. Coca Cola - - On a cross body lead, the lead spins the follow by the shoulder and with the same left hand, pulls the follow behind all on 1,2,3.

On 5,6,7, the lead finished the cross body back to the left. Cubanito - - Start with an Enchufla , and the lead then steps in front of the follow facing into the circle, switching hands.

The lead and follow then back rock twice and on the third back rock, the lead puts the right hand on their shoulder and finishes like Balsero.

Dame con Chocolate - - On 1,2,3, lead turns counter-clockwise facing away from the follow and on 5,6,7 both jump back with hands up and leaning forward slightly.

Dame Diente - Prep on 7 with the left hand, then check the follow in a wrap follow turns clockwise and unwrap. On the next eight count, the lead then wraps in, turning to the left, touches hands on 5 right to left then unwraps.

Then, prepping on 7 again with the left hand, the follow is wrapped and the lead wraps as well, making sure to switch hands from left to right.

The initial prep is done with the lead's left to the follow's right and then as the follow goes into their wrap, the lead switches to a right to right hand hold, making sure to bend their own arm around the follow.

Then both follow and lead unwrap and do a vacilala con dos with Lead and Follow both doing spins. El Dedo - - As shown.

El Dedo Complicado - - Similar to El Dedo, but on 5 while leading the follow around, back step and pull the follow's arm over your shoulders.

Then grab the follow around the waist and lead the follow around for an eight count. Al Directo - - The lead pulls the follow past on the right and claps the hands of the next follow on 5.

Al Directo Doble - - Like Al Directo, upon clapping the hands on 5 of the next follow, the lead spins to the right going past and connects with the next follow.

The leads move clockwise and the follows walk counter-clockwise. El Dos - - Enchufla and while stepping in front of the follow, the lead asks for the followers right hand.

Then on the next count, the lead presents the left hand and continues in a cumbia motion with the follow behind. Step to the left and right, and lastly the lead keeps the right hand high and pull the follow around with both arms, spins the follow and does a sombrero.

El Doce - - As shown. El Nudo - - Setenta, lead follow around back and then with your right hand blind lead follow from behind you around to in front, then setenta.

Enchufla Avion - Starts with an enchufla and the lead holds the right hand of the follow with their left and steps forward with the lead's right arm over the follow's right.

The lead should be standing with the follow's arm at chest height at the end of the eight count. The lead then ducks under the follow's arm to the right, bringing the follow around.

The lead should end up with their right hand over the right shoulder of the follow and lightly on the back of the neck of the follow.

The lead, with their left arm, then rotates the follow's right arm up and around clockwise as the follow ducks their head under the right arm of the lead and the lead keeps their right hand on the back of the follow to guide both in half turn.

The lead should have their right hand on the back of the follow and as both move continue to move around each other, and the lead pushes the follow toward the next lead.

The lead then takes the partner ahead in a cross body lead. Enchufla con Dracula - - Enchufla and as the follow goes by, make a mock attempt to bite their neck.

Enchufla con pa - Starts with an enchufla, switch hands and step ahead upstream of follow. Lead then steps into circle and on one says "Pah".

Lead the follow behind into the center of the circle as lead goes into hammer lock and follows, like a sacala, says with "pah" sound on 5.

Lead is doing a cross step at this pint. The lead then backs out to the left and brings the follow in front and to the left while spinning the follow into a counter clockwise turn.

At this point, lead is on the right facing in and follow is on left facing out with left arm under right.

Lead the grabs the right hand of the follow on the right and steps forward and backward as follow steps backward and forward for an eight count.

Then on the next eight count, lead turns the follow, while still holding both lead's hands, on the left clockwise and hair combs the follow's hand over the lead's head, closely followed by the hand of follow on right, with whom is done a cross body.

Enchufla Complicado - - Enchufla, and as the follow steps in front, the lead grabs the follows left with their right, then steps under, asks for the hand behind the leads back and the enchuflas again.

Then grab the right hand of the follow and present it to the next lead on the right while looking for the hand of the follow on the left.

Enchufla the next follower and then back to neutral. Enchufla al Medio - - Enchufla, lead steps into the circle, then back out on the follows right.

The follow and lead then alternatively step into and back out of the circle. The following moves are then called:. Enchufla Rodeala y Mambo - Starts like Seis with an enchufla, and the follow is lead behind and back in front of the lead.

When the follow is standing in front facing into the circle, a mambo is started on 7. The lead starts on the right and on left for follows and is done for five steps i.

While doing the mambo, the lead keeps their right hand on the shoulder of the follow and can initiate the back-rock by pulling on the shoulder. The lead then back rocks left then right, while leading the follow into a back rock on their right and left for an eight count.

On the next eight count, the follow back rocks with the right foot again and then spins counter-clockwise to the right and is picked up for a cross body lead.

Leads can also spin before picking up the follow. Enrocate - - Two cross body leads in a row over two eight counts, going Evelyn de Cuba - - Starts with an enchfula doble and when stopping the follow the second time, the lead spins to the right and faces the follow.

The lead should be right hand to right hand with the follow. Another enchufla, and the lead does a hook turn helps if the hand doing the enchufla is kept low and the lead pulls the follow behind their back to pass to next lead.

The lead then picks up the next follow to the right. Estrella Doble meaning two stars - Starts with an enchufla, then the leads walk into the center of the circle heading counter clockwise and put their left hands on the left shoulder of the lead ahead of them.

They then walk around the circle for two eight counts and on the 5,6,7 of the second eight count, the leads change direction back to clockwise and put their right hand on the right shoulder of the lead in front.

The follows move in the opposite direction and switch direction at the same time, again going the opposite direction. After changing directions, both leads and follows walk in their respective directions for another eight count and on the second eight count they should be close to their original partners.

The leads then do a hook turn to the right and face their original partner, prepping to the right, in a right to right hand hold.

On the next eight count, the lead then turns the follow around clockwise in place and as the follow comes around to face the lead again, the lead does another hook turn but stops when facing upstream away from the follow.

The lead should be facing the next follow ahead of them and have, from behind them, the follow's right hand on the lead's right shoulder. On the next eight count, the lead then drops the right hand on the right side of their body and throws it up in a arc over their body, while immediately doing a cross body lead of the next follow upstream.

Fly - - On 5,6,7, jump to the right and clap killing the "fly". Mini is a sub call and the same movement is performed, but don't actually clap. Festival de Fly - Starting on 1, clap up to the right, then down to the left, the in front, clap once, then twice more.

The leads then cross arms and the follows pull their fists back on either side of their bodies and thrust their chest out.

Everybody goes "huh" at the same time. Then clap once and then three quick claps and cross body the follow on the right. La Havana - - Starts with a two handed enchufla with check, then repeat.

On the third two handed enchufla, the lead does a hook turn under and pulls the follow's hands down in front while the lead faces into the circle.

The lead then lifts their right arm up, then the left and, turning to the right a bit, leads the follow into a hammer lock. Unfold the hammer lock with a back break and then momentarily hook the follow's left arm with the lead's right elbow.

Cross body back to finish. La Isaura - - Enchufla and as the lead passed the follow on the left, continue onto the next follow on the left, cross body, then go to the follow two down, i.

The pattern is one to your left, two to your right and then one back to the original partner. Jardin - - Enchufla and grab the follow's left hand with right and walk into the circle.

Then go under the arm raised by the lead on your left. Then wait for the Bota call then grab the hand of the follow on your left and enchufla the follow back into the slot, then cross body lead the follow.

Make sure to "explode" the circle when doing bota. Juana la Cubana - - Exactly as shown, start with sombrero, then keep your left hand high and spin the follow around to your left putting your left hand on the follow's left shoulder.

Then pull the follow back to your right, keeping the follow's right hand low and fold it behind the follow's back and step up beside on the left.

Put the follow's hand behind your head, then pull it out and sacala, and coming back into a sombrero. Cross body lead back to wapea.

La Jenny - - Enchufla, switching hands, then on the next eight count, cross-body lead back to the left and pull the follow behind the lead like paseala.

After switching hands right to right , on the next eight count, pull the follow around in front and then spin the follow into a hammer lock with the follow's arm behind their back.

At this point, the follow should be facing the lead with their right arm behind their back and the lead is facing downstream.

On the next eight count, then cross body lead, and catch the follow by the left shoulder. The lead should be facing inward slightly and the follow outward.

On the next eight count, spin the follow to the clockwise and when they are facing the lead, the lead raises their arm and does a hook turn under it, ending up in the circle facing outward to the follow.

The lead then does a strong enchufla putting the follow momentarily in the circle before bringing the follow back into the slot on the right.

La Pisa - - Enchufla and then lead and follow hold left and right hand respectively and lean back for 8 counts.

Leonsio - - Start with Setenta, and like El Nudo, lead steps in front of follow and with left hand up, right hand low, turns to the right until facing into the circle and with arms, left over right, cross in front.

On the next eight count, first raise the left on the right side of the body and then right hand on the left side , keeping the left up over the head as the lead turns to face the follow to the right.

The lead should now be in a hammer lock with their left arm behind, holding the follow's right hand. Then lead the follow until the lead is facing upstream counter-clockwise.

The trick here is to rotate locked with the follow degrees, until the lead is facing upstream, and then pull the follow the rest of the way behind.

The lead then steps under their own arm and turns to the left to face the follow downstream. You have done this part right if you are in a position, to do a two handed enchufla with hook turn show them the L with the arms , and cross body the follow back to neutral.

Mambo - On 5, hold the hands up and the lead step right on 5 left on 7 right on 1 left on 3 and then pushes off ready for the next eight count. This move is called on beat 3, not the typical 1.

Mambo Tipiando - Like Mambo, this start on 5 and the leads start their taps on the right and follows with their left.

Two taps are done, i. Follows mirror the lead, tapping left, right, step left, cross and tap left, right, then back.

The entire sequence of two taps, cross to the right, two taps and cross back is repeated twice and should end on a five with a hand press.

Mariposa - - enchufla then sacala and as the follow comes back, continue to pull them out of the way and grab the right hand of the next follow.

Enchufla and hook turn and then enchufla and cross body back to neutral. Melody - Enchufla and the lead stands in front and to the right of the follow, looking over their left shoulder at the follow.

The follow and lead, in a similar manner to Dos or Cubanito back rock, four times, then the lead picks up the next follow.

Mezclado - - Leads turns to the follow on the right and catches the hand and brings the follow to the left, then catch the hand of the right hand follow again but spin the follow on the left nobody lets go!

Leads then spin the follow on left into a hammer lock. Back out of the hammer lock, bring the arms up and hook in the elbows. Make a little dip.

Then back break again and do a hook turn under the follow's arms, then switch places again back into a sombrero. Noventa ninety - - as shown, the trick is to lift the left hand and step under it.

Ochenta y uno - - enchufla and switch hands, lead the follow into a sacala with the right hand and as the follow comes back, hair comb the right hand over the follow's head.

Palmadas - Enchufla and like Enchufla con Mambo , the lead and follow stand next to each other and count out the follow steps to time - stomp left and right, then clap once, then stomp left and right again and clap two times.

Lead picks up the follow they are facing. Parte el brazo - - Lead the follow clockwise and into the center of the circle.

Lead puts right hand on follow's left shoulder and then, back stepping, grabs the back of the follows right hand and spins to the left, spinning the follow as well.

Then enchufla back into neutral. Parte el Brazo Complicado - - Similar to Parte el brazo, but after back stepping, put the follows arms behind their back when they face into the centre.

Paseala - - Pull the follow behind your back. Paseala y Complicate - - Starts with an enchufla, then two Paseala, then on the second one, the lead swings their right hand over their head and as the follow passes behind them, grabs the follow's left hand.

The lead should be in front of and to the left of the follow in a left to left and right to right hand hold. On the next eight count, the lead then pulls the follow forward and wraps the follow.

One the next eight count, the follow is unwrapped and spun to the right, keep the left hand low behind the back and the right hand leading the turn.

To help the follow unwravel, the lead should turn when turning the follow. Then end in a sombrero facing into the circle. Patin - - Do an enchufla doble, then another one and lead goes into the center, put arms on the shoulders of the other leads and step with left foot behind right and then right behind left, then spin back out and grab the partner to your right not the same follower!!

When joining the other leads, to put left hand low and right hand high and to start with left behind right. Prima y Enredala - - Prima and catch the hand of the follow on the right, back step and pull the follow on your left into a counter clock wise spin.

While pulling the follow out, hair comb your right arm over your heard, face to your left. Then repeat, back step and rotate the follow on your left, etc.

Once facing outward, continue to rotate to your left and back out under their arms. You should be backing out under the arms of the two follows and backing out of the circle.

Take the hand of the follow on your right, stamp your foot, and lead the follow around your back and enchufla, then put the follow's hand on your shoulder and go the next follow on your LEFT!

Principe Malo - - Enchufla and slap the hand of the follow before moving on. Principe Bueno - - Enchufla and then kiss the hand of the follow before moving on.

Setenta - - As shown. Setenta Complicado - - As shown. Setenta con Dos Manos - From a basic Guapea, this starts on the 7 count by the lead grabbing the follow's hand on the right.

As the lead grabs the follow's hand on the right, they prep their partner on the left by putting their left hand inward, similar to a Setenta.

Then while the lead holds their right hand low, they rotate the follow on the left in a clockwise outside turn until wrapped.

On the next eight count, the lead unravels the follow and then as the follow comes around anti-clockwise, the lead turns to the right under the follow's arm.

The lead should now be facing the back of the follow with their right arm around their own waist holding the left arm of the follow behind them.

As the group starts to move forward with Arriba, the lead then hair combs the follow's right hand over their head and onto the follow's left shoulder.

Dance until Dile Que No is called. Setenta Moderno - - Start like setenta, but lead the follower around behind and the lead steps in front with left hand up.

Lift hands up and lead the follow a round until behind again and the lead stands in front ducking under the right hand this time.

The lead then ducks slightly and leads the follow to the right grabbing both the follows hands leading into a sacala, then duck under the follows arm and cross body back into neutral position.

Setenta Nuevo - - Start like setenta by putting the follow into a hammer lock on the first eight count. On the next eight count when unravelling the follow, the lead puts their left hand low and right hand high and continues to rotate to the right until the lead is in a hammer lock facing the follow on the right.

The lead then pulls on the follows right hand and transfers them behind the lead on Once the follow is on the left, the lead is now in hammer lock with their right hand behind their back and facing the follow on their left, the lead does a turn to the right, holding their left hand high.

The lead should now be facing the follow in an open position. The lead now does a two handed enchufla and hair combs the follow.

Setenta por Abajo - - Almost identical to what is shown in the video, except the ending is different - the lead faces into the circle and once the lead stands up and does the enchufla, it follows the same ending pattern as setenta starting at the 16second mark.

Setenta y Dos - - Starts like setenta, but end it by hooking first the left elbow over the follow's left on 5 and then the right elbow on 7.

Then cross body lead back. Setenta y Tres - - Starts like setenta with the lead ending inside facing outward.

On the next eight count, the lead then raises both hands and steps under, turning to the left to face the follow, ending with cross arms.

The follow is then lead in an outside turn clockwise ending with a hair-comb on the right hand side, and cross body back to neutral. Setenta y Uno - - Similar to Setenta y dos, but hook just the right elbow on 7.

Siete con Coca Cola - - Starts like siete, but spin the follow around while stepping around, then cross body back to neutral.

Siete Loco - - Starts with the Setenta style prep with the lead stopping the follow in a wrapped position on 1,2,3 and then spinning the follow with both hands.

Then cross body and prep with both arms into the center of the circle. Then spin back-to-back with both hands over the head, ending with the follow in a sweet heart position.

Two sacalas ending with the right hand going in a hair-comb over the lead's head. Siete con Moderno - - Like siete, put your left hand into the circle but before the follow spins all the way out, flick the hand and grab the follow's left hand and put your right hand on the follow's back to stop the follow from spinning.

Then spin the follow back anti-clockwise and the haircomb the follow's arm over your shoulder and do a cross body. Siete Setenta - - Start like setenta but put the follow into a hammerlock along the edge of the circle.

Then back-break, and pull the follow around until they are facing outward, and hook both arms in on 7.

On 1,2,3, unhook first left then right, then lead the follow around in a clockwise turn until they are behind with their left arm across the leads backs exactly like setenta complicado.

Sombrero Doble - - Start with a sombrero, then lead the follow back to the left into a quick reverse sombrero, the lead preps inward with the left hand and rotates the follow around back to back leading back to the right and then cross body back to neutral.

Sombrero Con Mambo - - Start with a sombrero and when the follow is on the right, step out the mambo step. The cross body the follow back to the left and then around your back and back to the left side.

The follow keeps their hand around the mid-section of the lead. Sombrero con Patada - Like Sombero con mambo, starts with sombrero and the lead holds the follow on the right side.

Once in the Sombero, the lead and follow both jump forward, back then forward, back and kick, all following the clave beat. The lead kicks with their right and the follow with their left.

Then cross body back to neutral. Tumbao Francesa - - Enchufla, and then the lead pulls the follow past on the right with the follow's right arm.

Then grab the left arm of the next follow and moves to the next follow, grabbing their right arm. Repeat until "Bota" is called, then only when the next follow presents their right arm, pull them behind and enchufla them back.

Toma Corriente - - This move requires an even number of couples in the Rueda circle because the leads pair up. Before this call is made, make sure you know who your other lead is by counting in twos, from the caller and the caller's pair to their right.

This is important because it means you turn left or right to face your partner, depending on if you are up or downstream of them counter clockwise being "upstream", the direction the leads "swim".

When called, start with an enchufla and switch hands right to the follow's left , then reach with your left hand and grasp the left hand of the other lead.

On the next eight count, back break and pull the follows under your joined arms making sure to raise your left hand so the follows do not have to duck.

On the next eight count, the leads pull past each other and turn to face their respective partner, but keep the hand hold and watch elbows.

While still connected, the leads then spin the follows into a sweet heart move hand on the shoulder of the follow , then spin them out on the next eight count, throwing the follow's hand up in an arc, letting go of the other lead.

The leads then move onto the next follow and cross body lead. Vacilala - - Spin the follow around to the right. Vascilon pronounced "Bah-sa-lawn" - Called on 1, the lead presses the hand on the follow on 5 as normal and then immediately turns to the right to face the next follow who turns to the left on 6 and 7 and steps forward on 1.

Then continues to turn to the right to face original partner for pressing of hands on 5. A Bayamo en Coche - - Starts with setenta complicado, but don't let go of the right hand when pulling the follow behind and put them into a locked elbow on the lead's left on 1,2,3.

To get the elbow over the follow's elbow, the lead should keep their arm up, as if they were kissing their bicep. Lead and follow then walk forward on 5,6,7, back on 1,2,3, repeat and on second 5,6,7 lead turns to the right.

Then enchufla, sacala with the right hand and pull the follow into a sweet heart move on the right and grab the lead's arm ahead of you.

Then walk around the circle for two eight counts. On the second eight count, push the follow outward on 5,6,7 and then pull the follow back on 1,2,3 back into the sweet heart and repeat twice, on the third time, pull the follow back and hook turn under the raised arm to face upstream to the right.

Clap twice on 7,8, and pick up the next follow. Ahorcala - - As shown. Akia - - Lead turns follow with two hand turn around from open position and cross body.

Back rock follow on neck first for eight count, then on left hip on 1,2,3 and then on hip on 5,6,7, rotate follow to right while lead hook turns to left, left hand grabs outside of follow's left hand.

Then enchufla and lead asks for left under right. Cross body, then hair comb lead first right hand and then left. Algodon - Starts like Tunturnun where the follow is put into a hammerlock with the right hand in a hair comb.

However, the hair-comb is a fake and the lead undoes the hair-comb and immediately does an enchufla with a hook turn. While doing a hook turn under the arms, the lead hops on one foot and pulls the follow from behind to the next lead on the left.

The lead then continues onto the next lead as usual. Agamemnon - - As shown. Bebe - - Starts with Balsero , Besito including hook turn, Enchufla into a Sombrero follow on right , Sacala, reverse Balsero and prep on 7 with both hands with follow on right downstream , back-to-back two handed turn putting the follow on the left or upstream, Enchufla into a Sombero and end with Abanico.

Bin Laden - This moves requires a pair of partners and an even number of couples around the circle, starting with the caller and going counter clockwise in pairs.

Starts with an Enchufla and the lead does a hook turn, then the leads grab a left to left hold.

On the final eight count, make sure the follow is on the right and cross body them with a two handed grip. On the next eight count, the lead then wraps in, turning to the left, touches hands on 5 right to left then unwraps. Pelota Uno - - Enchufla, and before getting to the next follow, clap once on 7. The lead should be facing inward slightly and the follow outward. This is does planet 7 casino payout to Coca Cola which can be called off a cross body. Finish as a normal Sombrero. Views Read Edit View history. However, the style of Rueda de Casino that became popular was a style somewhat different than its original form. Take the hand of Beste Spielothek in Loiderding finden follow on your kinguin steuern, stamp your foot, and lead the follow around your back and enchufla, then put the follow's hand on your shoulder and go the next follow on your LEFT! Ansichten Lesen Bearbeiten Versionsgeschichte.

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